Jakkoli se m\u016f\u017ee zd\u00e1t, \u017ee spojen\u00ed \u010dty\u0159 nezam\u011bniteln\u00fdch, ale v\u00fdrazov\u011b relativn\u011b vzd\u00e1len\u00fdch p\u0159edstavitelek \u010desk\u00e9ho vizu\u00e1ln\u00edho um\u011bn\u00ed mlad\u0161\u00ed generace nemus\u00ed na prvn\u00ed pohled d\u00e1vat \u00fapln\u011b smysl, n\u00e1zev v\u00fdstavy nazna\u010duje, \u017ee to nen\u00ed tak docela pravda. U\u017e samo slovo con \u2013 anglick\u00e9 ozna\u010den\u00ed pro setk\u00e1v\u00e1n\u00ed \u2013 nej\u010dast\u011bji na z\u00e1klad\u011b spole\u010dn\u00e9ho z\u00e1jmu napov\u00edd\u00e1, \u017ee sestava autorek nen\u00ed n\u00e1hodn\u00e1. Tak\u00e9 spojovn\u00edk se v \u010de\u0161tin\u011b u\u017e\u00edv\u00e1 tehdy, pokud chceme vyj\u00e1d\u0159it, \u017ee j\u00edm zvazben\u00e9 v\u00fdrazy tvo\u0159\u00ed n\u011bjak\u00fdm zp\u016fsobem prov\u00e1zan\u00fd celek. Mantinely v\u00fdznamov\u00e9 pointy pak tvo\u0159\u00ed slovo struktura, respektive konstrukce, kter\u00e9 otev\u00edraj\u00ed cestu k ideov\u00e9mu t\u011b\u017ei\u0161ti projektu. Na jednu stranu upozor\u0148uj\u00ed na struktur\u00e1ln\u00ed podstatu n\u011bkter\u00fdch artefakt\u016f, na druhou zase upom\u00ednaj\u00ed jist\u00e9 skladebn\u00e9 z\u00e1konitosti, kter\u00e9 se do prac\u00ed propisuj\u00ed. Kl\u00ed\u010dov\u00fdm principem je ale spole\u010dn\u00fd konstruk\u010dn\u00ed prvek, kter\u00fdm je v tomto p\u0159\u00edpad\u011b linie.<\/p>\n
Ta je v r\u00e1mci tohoto projektu vn\u00edm\u00e1na jako z\u00e1sadn\u00ed n\u00e1stroj s otev\u0159enou formou i v\u00fdznamem, kter\u00fd se uplat\u0148uje bez ohledu na m\u00e9dium. Ostatn\u011b, i to je jedn\u00edm z d\u016fvod\u016f, pro\u010d zde maj\u00ed vedle sebe m\u00edsto malba, plastika, airbrush, sprej i v\u00fd\u0161ivka. Slovn\u00edk ciz\u00edch slov linii charakterizuje jako skute\u010dnou nebo my\u0161lenou \u010d\u00e1ru, p\u0159\u00edpadn\u011b n\u011bco, co m\u016f\u017ee b\u00fdt jej\u00ed pomoc\u00ed nazna\u010deno. U\u017e t\u00edm je \u0159e\u010deno o jak \u0161irok\u00fd pojem se jedn\u00e1. M\u016f\u017ee j\u00edt o fyzickou linku, ale stejn\u011b tak graf nebo \u010dasovou osu. Existuje linie bojov\u00e1, politick\u00e1 i v\u00fdvojov\u00e1, linie horizontu i bok\u016f. Pro um\u011blce p\u0159edstavuje v\u00fdchoz\u00ed slo\u017eku kresby, pravd\u011bpodobn\u011b nejstar\u0161\u00edho zp\u016fsobu v\u00fdtvarn\u00e9ho vyjad\u0159ov\u00e1n\u00ed. Na v\u00fdstav\u011b se pak objevuje jako \u010d\u00e1ra, hrana, tah \u0161t\u011btcem, obrysov\u00e1 linka, \u0161kv\u00edra, svar nebo \u0161ev. A od jej\u00ed podoby se tak\u00e9 odv\u00edj\u00ed jej\u00ed obsahov\u00e9 nebo symbolick\u00e9 vyzn\u011bn\u00ed.<\/p>\n
Linie v \u010dist\u00e9m stavu je nejskromn\u011bj\u0161\u00ed, ale p\u0159itom z\u0159ejm\u011b nejd\u016fle\u017eit\u011bj\u0161\u00ed slo\u017ekou v\u00fdtvarn\u00e9ho jazyka. Je to kvalita, z n\u00ed\u017e povst\u00e1v\u00e1 prakticky ve\u0161ker\u00e9 vizu\u00e1ln\u00ed p\u0159em\u00fd\u0161len\u00ed. Cesta, kter\u00e1 \u2013 jak ukazuje tento projekt v prol\u00ednav\u00e9 expozici \u2013 vede stejn\u011b tak k lidsk\u00e9 postav\u011b, krajinn\u00e9mu segmentu, p\u00edsmu, ale i do tenat abstrakce. U\u017e proto stoj\u00ed za pozornost.<\/p>\n","protected":false},"excerpt":{"rendered":"Jakkoli se m\u016f\u017ee zd\u00e1t, \u017ee spojen\u00ed \u010dty\u0159 nezam\u011bniteln\u00fdch, ale v\u00fdrazov\u011b relativn\u011b vzd\u00e1len\u00fdch p\u0159edstavitelek \u010desk\u00e9ho vizu\u00e1ln\u00edho um\u011bn\u00ed mlad\u0161\u00ed generace nemus\u00ed na prvn\u00ed pohled d\u00e1vat \u00fapln\u011b smysl, n\u00e1zev v\u00fdstavy nazna\u010duje, \u017ee to nen\u00ed tak docela pravda. U\u017e samo slovo con \u2013 anglick\u00e9 ozna\u010den\u00ed pro setk\u00e1v\u00e1n\u00ed \u2013 nej\u010dast\u011bji na z\u00e1klad\u011b spole\u010dn\u00e9ho z\u00e1jmu napov\u00edd\u00e1, \u017ee sestava autorek nen\u00ed n\u00e1hodn\u00e1. [\u2026]","protected":false},"featured_media":4465,"template":"","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-4462","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/roztocilova.com\/cs\/wp-json\/wp\/v2\/exhibition\/4462","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/roztocilova.com\/cs\/wp-json\/wp\/v2\/exhibition"}],"about":[{"href":"https:\/\/roztocilova.com\/cs\/wp-json\/wp\/v2\/types\/exhibition"}],"version-history":[{"count":2,"href":"https:\/\/roztocilova.com\/cs\/wp-json\/wp\/v2\/exhibition\/4462\/revisions"}],"predecessor-version":[{"id":4464,"href":"https:\/\/roztocilova.com\/cs\/wp-json\/wp\/v2\/exhibition\/4462\/revisions\/4464"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/roztocilova.com\/cs\/wp-json\/wp\/v2\/media\/4465"}],"wp:attachment":[{"href":"https:\/\/roztocilova.com\/cs\/wp-json\/wp\/v2\/media?parent=4462"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}